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Elisabeth von Ungarn Måleriet identifieringen:: 79355
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Elisabeth von Ungarn 1706-1708
Medium Oil on canvas
Dimensions Deutsch: 180 x 115 cm
cyf 1706-1708
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Medium_Oil_on_canvas
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Dimensions_Deutsch:_180_x_115_cm_
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Ignatius von Loyola Måleriet identifieringen:: 79674
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Ignatius von Loyola 1704
Medium Oil on canvas
Dimensions Deutsch: 127,5 x 95,5 cm
cyf 1704
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Medium_Oil_on_canvas
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Dimensions_Deutsch:_127,5_x_95,5_cm_
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Entwurf Måleriet identifieringen:: 82401
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Entwurf 1732 - 1734
Medium painting
Dimensions 84 x 35 cm
cyf 1732_-_1734
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Medium_painting
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Dimensions_84_x_35_cm
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Flucht nach Aypten Måleriet identifieringen:: 83304
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Flucht nach Aypten 1713
Medium Oil on canvas
Dimensions Deutsch: 83,7 x 113 cm
cyf 1713
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Medium_Oil_on_canvas
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Dimensions_Deutsch:_83,7_x_113_cm_
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Die Familie der Dario vor Alexander dem Groben Måleriet identifieringen:: 84021
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Die Familie der Dario vor Alexander dem Groben Date 1708-1710
Medium Oil on canvas
Dimensions Deutsch: 194 x 246,5 cm
cjr Date_1708-1710
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Medium_Oil_on_canvas
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Dimensions_Deutsch:_194_x_246,5_cm_
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| Föregående Konstnär Nästa Konstnär
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Sebastiano Ricci
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(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union.
After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. |
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